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LA Galaxy 07/08 Away BECKHAM Youth Soccer Jersey
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LA Galaxy 07/08 Away BECKHAM Youth Soccer Jersey

(more) »rank: 2118

from: adidas


: :#221742.NV LA Galaxy Away BECKHAM Soccer Jersey by adidas

University of Kentucky Garden Gnome
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University of Kentucky Garden Gnome

(more) »rank: 4734

from: New Creative Enterprises


: :'Looking for a really cool, unique, and entertaining gift for that college sports fan? This officially licensed University of Kentucky ''Good Luck Gnome'' will fill the ticket. Fun college team sports novelty that is a must have for any Wildcats Fan. Perfect for indoor and outdoor decorating. The University of Kentucky Gnome is always a fun spirited sidekick for the tailgate party and truly a loyal companion to watch the game with. Bedazzle your friends and impress the neighbors! This sporty gnome will magically enhance the look ...

Brett Favre Green Bay Packers Women's Green Replica Jersey
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Brett Favre Green Bay Packers Women's Green Replica Jersey

(more) »rank: 20034


: :This durable, nylon diamond mesh Brett Favre Green Bay Packers Women's Green Replica Jersey from Reebok is as tough as what men wear, but styled for a woman. Features screen printed team logos, numbers, and stripes, plus player name across back.

San Francisco 49ers Got Five Super Bowl Adult T-Shirt
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San Francisco 49ers Got Five Super Bowl Adult T-Shirt

(more) »rank: 21780


: :Cheer for the San Francisco 49ers while showing off this awesome t-shirt! This shirt is made to show your team support! The front reads 'Got Five?' while the back reads 'We Do.' The back also displays the San Francisco 49ers Five Time Super Bowl Champions Rings! 100% Cotton.

Chicago Cubs MVP Adjustable Cap
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Chicago Cubs MVP Adjustable Cap

(more) »rank: 6384

from: Twins Enterprise, Inc.


: :Cheer for the San Francisco 49ers while showing off this awesome t-shirt! This shirt is made to show your team support! The front reads 'Got Five?' while the back reads 'We Do.' The back also displays the San Francisco 49ers Five Time Super Bowl Champions Rings! 100% Cotton.

Pittsburgh Steelers Fiber Reactive Pool/Beach/Bath Towel (Team Color)
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Pittsburgh Steelers Fiber Reactive Pool/Beach/Bath Towel (Team Color)

(more) »rank: 33167

from: McArthur


: :Beach Towels 30x60, cotton, with fiber reactive prints.

Washington State Men's Embroidered Pique Polo Shirt
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Washington State Men's Embroidered Pique Polo Shirt

(more) »rank: 7250

from: Old Varsity Brand


: :Beach Towels 30x60, cotton, with fiber reactive prints.

Boston Celtics 2008 NBA Finals Champions Winning Attitude Championship Roster T-shirt
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Boston Celtics 2008 NBA Finals Champions Winning Attitude Championship Roster T-shirt

(more) »rank: 1606


: :Celebrate the Boston Celtics championship in style with this championship roster T-shirt.

Boston Red Sox Clean Up Adjustable Cap
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Boston Red Sox Clean Up Adjustable Cap

(more) »rank: 1924

from: Twins Enterprise, Inc.


: :This garment washed cotton cap is a must have for every fan. Raised embroidered team logo adjustable buckle back.Features:* 100% cotton* Adjustable Clean Up cap by Twins Enterprises* Raised embroidered team logo at front of cap* Adjustable buckle back

2008 Topps Football Hobby Box (36 packs of 10 cards)
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2008 Topps Football Hobby Box (36 packs of 10 cards)

(more) »rank: 15868

from: Topps


: :2008 Topps Football Hobby Box (36 packs of 10 cards)


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Wellness and Healthcare









$18.99



Set in Saudi Arabia, The Kingdom is a political action thriller with good acting and wonderful visuals. Its so-so script, though, at times meanders aimlessly until a good explosion jolts the viewer's attention back to the screen. Jamie Foxx stars as FBI special agent Ronald Fleury, who leads an elite team into Saudi Arabia to find the terrorists who attacked American employees working in the Middle East. He has been given the unlikely deadline of five days to infiltrate the compound, with just his wit and his crew, which includes forensics expert Janet Mayes (Jennifer Garner), explosives guru Grant Sykes (Chris Cooper), and intelligence analyst Adam Leavitt (Jason Bateman). It's unclear how helpful smarmy U.S. diplomat Damon Schmidt (Jeremy Piven) will be, but Fleury knows enough to surmise that the media-hungry Schmidt might not be completely trustworthy. Foxx and Garner have wonderful screen presence, but it's Bateman and Piven who get the best lines. Director Peter Berg peppers The Kingdom with actors he has worked with in the past. Berg, who guest-starred on Alias opposite Garner, casts Tim McGraw in a small role here. (The country singer also had a co-starring role in Berg's 2004 film Friday Night Lights.) And Kyle Chandler and Minka Kelly--two of Berg's lead actors from the Friday Night Lights television series, , make appearances in The Kingdom. The action sequences he creates are impressive and generate a sense of panic that The Kingdom producer Michael Mann (Miami Vice) undoubtedly applauds. While a tauter script would've rounded out the action nicely, the action in many cases does speak for itself. --Jae-Ha Kim
$19.99



A staggering portrait of arrogance and incompetence, the documentary No End in Sight avoids the question of why the U.S. invaded Iraq in 2003, choosing instead to focus on the war's aftermath--and meticulously examine the chain of decisions that led Iraq into a grotesque state of lawlessness and civil war. Drawing from interviews with top generals, administration officials, journalists, and soldiers who were in the thick of the war itself, No End in Sight lays out a gripping story, as suspenseful as any Hollywood movie, accompanied by terrifying footage of firefights and explosions more vivid than any special effects. Unfortunately, there is no happy ending. If the documentary has a weakness, it's the shortage of voices trying to defend the administration policies (perhaps unsurprisingly, policymakers like Dick Cheney, Donald Rumsfeld, and Paul Wolfowitz declined to be interviewed). But the testimony (presented by administration insiders and officials in Iraq, both military and civilian) argues that, despite contrary analysis and experienced advice against its actions, the top brass of the Bush administration made decisions (that aggravated already existing problems and created devastating new ones. No End in Sight builds its case one voice at a time and avoids the grandstanding that undercuts Michael Moore's work; instead, the gradual accumulation of simple facts--presented with weary resignation, earnest outrage, and restrained anger--results in a compelling condemnation of one of the worst blunders the U.S. has ever made. --Bret Fetzer
$14.99



Fans of Oliver Stone's J.F.K. will recognize the opening moments of writer-director Eugene Jarecki's Why We Fight, in which outgoing President Dwight Eisenhower warns of the pernicious and growing influence of what he called the "military-industrial complex." But Stone's movie, which uses the same footage, was a work of fiction. While those who disagree with the decidedly leftist point of view in this documentary will probably consider it the product of paranoid liberal fantasy as well, there's enough credible material, much of it supplied by the targets of Jarecki's criticisms, to make Eisenhower look like a prophet and everyone else uneasy about the dark confluence of politics, money, and war that controls the country's fortunes. The message here is that while there may be some who sincerely believe that America's various military engagements (in Iraq, Vietnam, Grenada, Panama, and elsewhere) since World War II are the product of our God-given duty to spread freedom and halt the influence of evil ideologies around the world, the real reason we fight is that war is good business. This is hardly a bulletin; anyone who is surprised by allegations that politicians pander to defense contractors, or that Vice President Dick Cheney helped secure huge deals for Halliburton, the company he formerly headed, simply hasn't been paying attention (Politicians lie? How shocking!). In fact, the principal drawback to Jarecki's film is simply that there's nothing particularly revelatory or compelling about it. Only when he takes a personal approach does he go beyond the obvious; the story of a retired New York policeman and former Vietnam veteran whose son died in the World Trade Center, who wanted revenge, but who became seriously disillusioned when Bush admitted that the war in Iraq had nothing to do with 9/11, adds some much needed human interest. Still, Why We Fight, which includes a director's audio commentary track and a few other bonus features, serves as a grim reminder that the world's most powerful nation has strayed far from the principles of our founding fathers, a development that does not bode well for America's future. --Sam Graham

by Dixie Chicks
$21.95

Average customer rating: ISBN: 0739043439

by Dixie Chicks, Mark Seliger
$16.95

Average customer rating: ISBN: 0739043447
$4.95



In her snowy home state of Utah, Marie Osmond serves up a warm cup of holiday cheer with Marie Osmond's Merry Christmas, her very first Christmas special. Mixing traditional songs and carols with modern melodies, Marie presents a sentimental hourlong program (originally aired on television in 1989), blending music with short sketches. The show features Kirk Cameron, then-teen heartthrob on Growing Pains; Candace Cameron, his sister and star of Full House; country singer Lee Greenwood; Sally Struthers and daughter Samantha, ice dancers Judy Blumberg and Michael Siebert, and the Osmond Boys.

Marie opens the show with an outdoor rendition of "We Need a Little Christmas" and then moves into the studio where Kirk Cameron arrives on a snowmobile (fresh from rescuing a trio of blonde snow bunnies) to read "The First Christmas Story." Lee Greenwood performs "Christmas to Christmas" and later a duet with Marie. "It's Beginning to Look a Lot Like Christmas" is sung by Sally Struthers and daughter with help from the Osmond Boys--six stepping stones ages 4 to 12 who have the senior Osmonds' moves down pat. The adorable award, though, goes to Marie's 5-year-old son, Steven, who performs a rockin' version of "Santa Claus Is Comin' to Town" (clapping on the off-beat nearly the whole song).

Marie has a good, strong voice, but many of the songs are overproduced and melodramatic. This, most likely, is a product of the big, pouffy '80s (her hair and outfits are also bigger-than-life) rather than a reflection of her talents. The closing number, "O Holy Night," sung by Marie alone, is quite lovely. --Dana Van Nest

$11.98




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